To be honest, I haven’t been this excited about a project in a long time as I am about KOTA The Friend’s latest release. On May 22nd, he unveiled his second studio album, which emerged organically from his mood and creative flow.
Born and raised in Brooklyn, New York City, this 27-year-old rapper was exposed to various genres like hip hop, R&B, Jazz, and Soul during the iconic 90’s era. KOTA’s musical journey began at the age of 8 when he joined his school’s music program and showcased his talent as a trumpet player. Throughout high school, he not only led the trumpet section but also self-taught himself guitar and piano. Balancing his passion for music, he took on two weekend jobs to establish a home studio where he recorded hip hop tracks as well as folk songs accompanied by his guitar.
During his formative years, KOTA found inspiration in diverse artists and bands such as The Beatles, J Dilla, Pink Floyd, Jimi Hendrix, and Bob Dylan, among many others. This led him to start a band that organized local showcases in Brooklyn, uniting aspiring artists in the area. Among the talents he collaborated with were Phony Ppl, Dyme-A-Duzin, Capital Steez (formerly known as Jay Steez), and many more.
While in college, KOTA formed a hiphop/neo soul group called Nappy Hair after meeting an R&B singer and a quirky rapper. They performed at notable venues like The Knitting Factory and even had the opportunity to open for Slum Village. However, KOTA eventually returned home to focus on music, battling deep depression and financial struggles. Although he didn’t desire a traditional 9-to-5 job, he recognized the need for income to sustain himself. At the age of 19, he delved into cinematography to meet the demands of his artistic friends and excel in the craft.
In 2016 and 2017, KOTA released his first EPs, namely “Palm Tree Liquor” and “Paloma Beach.” These projects were followed by releases like “Anything” and his debut album, “Foto,” consisting of 19 tracks. “Foto” showcases KOTA at his most relaxed, vulnerable, and inspiring state. It offers a collection of snapshots from his life, providing an endearing invitation to the mind and mood of the NYC MC. At the beginning of the year, he unveiled “Lyrics to Go, Vol. 1,” an EP featuring lyrical thoughts presented as snippets.
And now, KOTA presents his highly anticipated studio album, “Everything.” He describes it as a place where everything comes together, like a summer house on a beach where friends can freely connect, enjoy breakfast, and access refreshing beers. The album explores what truly matters to KOTA, what he prioritizes above all else. It features interludes with contributions from fans, actors, and artists, sharing their own perspectives on what means everything to them.
The album emanates a welcoming and laid-back sound, instantly capturing listeners’ vibes. It evokes a similar feeling to Chance The Rapper’s 2016 release, “Coloring Book,” albeit with a distinct flair and fewer religious undertones. It sets a positive tone and puts you in a good mood, reminiscent of carefree summer days spent with friends or loved ones when living in the moment was paramount. And let’s be honest, don’t we all need precisely that right now?
Now, let’s address the songs on the album. Truthfully, there are no weak tracks here. Each song boasts a solid foundation of summery funky beats, catchy lyrics, and an abundance of positivity. Who wouldn’t appreciate lyrics like “thank your mom ’cause you so damn fine”?
I must say, one of my personal favorites is “B.Q.E,” which happens to be the standout track on the album. It becomes even more remarkable with the inclusion of NYC giants Bas and Joey Bada$$ as featured artists. It’s truly a reason to celebrate—period.
Another noteworthy track is “Long Beach,” featuring Hello O’Shay from New York and Chicago-based artist Alex Banin. It’s an upbeat, summery song that has KOTA reminiscing about his time in Long Beach, California, with his significant other. Undoubtedly, it’s another banger. Moreover, I have to mention “Morocco” as my favorite featured collaboration on the album, where KOTA teams up with Chicago rapper tobi lou. Together, they deliver an energetic bop centered around making money, minding your own business, and embracing life. Tobi Lou, a Nigerian-born, Chicago-raised rapper, singer, and producer signed with the label ARTCLUB lNTL, steals the show with his second verse. His lyrics strike the perfect balance between real-life experiences and humor, like the line “Got a Spanish bitch, and she loves to make me tacos.” I may not be Spanish, but I’d certainly make you tacos.
Remarkably, KOTA took charge of producing, writing, and mixing nearly the entire album himself. “Everything” revolves around the question of what means everything to you. With the assistance of friends such as actors Lupita Nyong’o and Lakeith Stanfield, each song concludes with an exploration of this question. In the opening track, KOTA declares, “I wear my heart on my wrist,” indicating the album’s candid and open nature. In comparison to “Foto,” he reflects on his priorities, emphasizes independence, love for his family, and staying true to himself.
In conclusion, “Everything” exhibits a well-crafted narrative structure and offers listeners a sense of breezy Sunday-like bliss.
