Fashion
TITLE’s May Digital Cover transforms vintage noir glamour into a futuristic meditation on performance, identity, and sculptural jewelry through the cinematic lens of Holly McCandless-Desmond and the visionary styling of Pav Nagra.
Merle is building a world where fashion, gaming, and real-time honesty collide. And somehow, it all feels effortless.
Fashion’s most iconic power fantasy is returning, but the world in which The Devil Wears Prada is a cultural touchstone no longer exists. In an era shaped by digital immediacy and cultural accountability, even figures like Anna Wintour no longer command the same untouchable authority.
At the On Style Lab in Berlin, the Zendaya x On collection proves that fashion isn’t about fixed looks anymore, it’s about building your own identity from the ground up.
Anime didn’t just borrow from fashion; it built a parallel style universe where Sailor Moon, JoJo's Bizarre Adventure, and Nana quietly rewrote the rules of global style.
In our April Digital Cover story, the Berlin-born actress, Gizem Emre, strips back the performance to talk identity, freedom, and what it really means to live beyond labels. On and off screen.
Holly Humberstone turns vulnerability into an art form, and in this interview, she’s not holding anything back.
Mahjong’s resurgence might look like a glossy trend but beneath the surface lies a deeper story about culture and ownership. As Western companies profit from reimagined versions of the game, the traditional craftsmanship and communities that sustained mahjong for generations are being pushed to the margins. This piece explores how a nearly 200-year-old game became both a site of cultural connection and a battleground over appropriation, identity, and who gets to shape its future.
Since its debut, the series has been defined by extremes and persistent controversy over its depiction of sex, addiction, and adolescence, while the discourse surrounding it has become inseparable from the show itself. As it returns for a new season, the question is no longer just what Euphoria is, but what it has become.
Justin Bieber’s first time headlining Coachella didn’t follow the rules of a comeback. Instead, his performance felt stripped down and controlled. It divided audiences, moving away from spectacle toward something more intentional and self-defined.
