Jasmin Kraenzel
Beauty ads have spent decades convincing us that our skin is a flaw to fix, not a feature to embrace. This article exposes how one brand is dismantling that narrative and pushing for a future where real skin finally gets the representation it deserves.
Atiba Jefferson turned his love for skateboarding and photography into a legacy—proving that passion, not profit, is what builds a life worth living.
From viral fit checks to global interviews, Limo West shares his thoughts on the future generation in an interview with TITLE for the September Digital Cover.
TITLE Mag’s August Digital Cover features artist and musician Gavriel in an experimental fashion editorial. Through different exposures, lights, shadows, and reflections, this cover visually explores the intersection of expression and identity. The accompanying interview delves into Gavriel’s evolving sound and his unbound approach to creating.
What started as a swipe on Raya turned into a real-life romance that spanned continents, challenges, and unforgettable moments. In this exclusive interview, the couple opens up about meeting online, thriving as queer creatives, their engagement story, and heartfelt advice for those seeking lasting connection in today’s digital dating world.
As the lights dimmed inside Berlin’s Velodrom, a familiar silhouette stepped out: wine glass in hand, shades on, cool as ever. Kaytranada didn’t need a hype man, his set spoke entirely through rhythm. Within minutes, the crowd was moving as one. From start to finish, the energy never dipped.
Quentin Tarantino has long been praised for his bold storytelling, but his approach to Black narratives raises important questions about cultural appropriation and blaxploitation in white cinema. While his films often feature diverse casts, the depth of his Black characters remains limited, catering to a broad audience rather than authentically representing Black experiences. His frequent use of racial slurs and reliance on shock value spark controversy, yet his dismissive response to criticism is even more troubling. This article explores how Tarantino profits from marginalized cultures while avoiding accountability, urging audiences to critically engage with the media they consume.
We all know UGG as a big-name shoe brand, but do you know the difference between the labels? This story isn't just about shoes, it's about corporate greed and cultural extortion. Read all about how a small, family-owned company was pushed out of its own branding.
As each episode has been airing weekly, the show became darker and more disturbing. It has evolved into what the Rolling Stones exposé back in March called “sexual torture porn”.
Abel Tesfaye is killing The Weeknd. After 14 years as ‘The Weeknd’, Abel decided to close this chapter. What's sparked this epiphany?
// Editor
