Magic Realism in Japanese Literature: Hiromi Kawakami’s Record of a Dream
It is this uncanny feeling, of trying to map the unseen, what’s at the centre of Hiromi Kawakami’s writing: stories that warp and give way to gods and shape-shifting creatures; scenarios that quickly melt and leave us facing new dimensions, where the unfamiliar becomes a poetic expression of the more abstract aspects of the mundane.
TITLE had the opportunity to sit with curator, writer and creative director Jason Jules and discussed how the exhibition at Somerset recognises and celebrates the contributions of Black designers.
Highlighting a personal journey of learning to love Thanksgiving in a multicultural setting: emphasizing stories, exploring rituals, exchanging recipes, and toasting to new traditions.
Is humanity doomed? A question that seems not so absurd given the current global political situation and the advancing climate crisis. Turn on the television, look at your mobile phone or open the daily newspaper and you will be inundated with news that resembles a dystopian novel set in a post-apocalyptic atmosphere – the only […]
To occupy the streets is to resist, because it is in those spaces when we realised that we are not alone, that we aren’t strangers but allies.
This season, Kim Jones tapped Pilati to head a new chapter of Fendi- Friends of Fendi- to collaborate on a limited run collection of clothing and accessories. TITLE reflects on the deliberate sense of flux and transition found not just in Pilati’s new Fendi pieces, but on Stefano Pilati the man himself.
Looking at the current polarised landscape, where human atrocities are shamelessly being led almost with proud by our unsupported but democratically elected leaders, questions such as: what’s our role as viewers? And, can we trust those in power? Are pouring over us.
Not everything about fall and winter has to be dreary — our love affair with winter headgear makes even the coldest days look and feel hot.
Known for her influential approach to Casual Chic Effortlessness over the last two decades, Phoebe Philo has garnered a large following. However, her recent collection with its exorbitant price points raises questions about accessibility and inclusivity.
The aesthetics of occultism are rising once again, as hedonistic nihilism has the zeitgeist gravitating towards freedom and irreverence.
