Fashion
What do the Kardashians, Jenna Ortega, Katy Perry and even the fashion icon Naomi Campbell all have in common? Aside from their significant fame, they’ve each collaborated with various fast fashion brands. These celebrity endorsements encourage loyal fans to buy garments that continue to pollute our planet, designed to fall apart — both literally and trend-wise. But it can’t just be for the money... Can it?
No plan. No styling team. Just Kilian Smits, as he was that day. Captured by Isha van Dijk, this series isn't about fashion or spectacle. It's about showing up without apology. About existing, unedited. A quiet kind of rebellion that doesn’t ask to be understood — only witnessed.
Y2K has a younger sibling – kidcore. As the lines between fashion, fandom, and childhood blur, a new wave of nostalgia is sweeping Gen Z and Millennials alike. Plush toys like Pop Mart’s Labubu, Baby Threes, and Cry Babys aren’t just collectibles — they’re style icons fueling the rise of kidcore, Y2K fashion, and emotional dressing. In a world defined by uncertainty, dressing like the early 2000s offers comfort, joy, and a powerful sense of belonging.
As recession looms over the creative landscape, casting an increasingly dark shadow on the fashion industry, I couldn't help but wonder (pardon the Carrie reference): what paths remain for aspiring creatives in fashion? If you want to work in fashion and achieve financial stability, the answer may lie in fashion tech. But what exactly is fashion tech, and is it as promising as it sounds?
This editorial is a visual and emotional exploration of duality—of the moments suspended between movement and stillness, composure and chaos. It reflects on the inner tension we carry and the impulse to act, even as we remain grounded. Through a modern mixed-media approach that weaves together varied textures, formats, and perspectives, the work brings depth to fleeting emotions and quiet revelations. What unfolds is a poetic study of vulnerability and restraint, where the unpredictable becomes bearable, even beautiful.
Once dismissed as a fleeting trend, logomania is staging a bold comeback—dominating runways, reshaping consumer identity, and redefining what it means to flex in fashion. Big names, bold prints, and zero subtlety: today’s fashion isn’t whispering, it’s shouting. From the runway to your IG feed, logos are the loudest flex. But is it fashion or just a branded identity crisis?
The Middle Ages are more than just a time period—they’ve become a cultural touchstone and a powerful narrative tool. Through their fictionalized and stylized reimaginings, this era lets artists and creators explore the present by looking through the mirror of an imagined past. Remixing the familiar castles, myths, and medieval aesthetics, challenge expectations and reflect on the world today.
Awakening after a long winter break is more than just a return to routine—it’s a quiet evolution. In this editorial we capture the moment where stillness meets movement, where elegance lingers in the in-between. Draped in last night’s look, softened yet composed, she embodies effortless sophistication. This is not about excess but about presence—a reflection of strength, resilience, and the quiet power of beginning anew.
For our latest digital cover, we sat down with Berlin-born actress Tijan Marei. In our conversation, Marei reflects on the evolving landscape of the film industry—where wellness is replacing outdated notions of “cool”, women are claiming their space in more complex roles, and setting boundaries is an essential part of the job. Beyond the screen, she’s also a certified yoga and breathwork instructor, teaching a class called AntiDote—a practice she says has been life-changing. "I find life more beautiful when I add a little magic to it," she tells TITLE Mag. "We all create our realities together."
We all know UGG as a big-name shoe brand, but do you know the difference between the labels? This story isn't just about shoes, it's about corporate greed and cultural extortion. Read all about how a small, family-owned company was pushed out of its own branding.
