Euphoria, or Dysphoria? Television’s Most Cursed Show is Back
Since its debut, the series has been defined by extremes and persistent controversy over its depiction of sex, addiction, and adolescence, while the discourse surrounding it has become inseparable from the show itself. As it returns for a new season, the question is no longer just what Euphoria is, but what it has become.
Justin Bieber’s first time headlining Coachella didn’t follow the rules of a comeback. Instead, his performance felt stripped down and controlled. It divided audiences, moving away from spectacle toward something more intentional and self-defined.
What if the place you never planned to stay became the one you couldn’t leave? “People Make Glasgow” captures the pure, human magic of a city defined not by its streets, but by the strangers who make it feel like home.
Sere Rivérs began with a simple approach that has since evolved into a practice spanning painting, sculpture, ceramics, and poetry. In conversation with TITLE, she reflects on beauty, the quiet pull of blue, and the courage it takes to find a sense of belonging within your own work, even when the world resists.
For this month's digital cover, Lia Lia dives into dark pop, identity, and vulnerability in this exclusive interview, revealing the mindset behind her sound, process, and evolving artistry.
McGee’s shows capture a reality that those seeking meaningful connections know well. Real friendship and community building demand time, empathy, and constant engagement. As we navigate life’s challenges, these stories offer both humor and a blueprint for resilience through platonic bonds.
The documentary’s most revealing moment lands at the end, when Banks announces the return of America’s Next Top Model for its 25th cycle after a five-year hiatus with her back as host. Suddenly, Reality Check feels less like reflection and more like a slick three-hour promo for the comeback of both the show and Tyra herself.
What makes the Watch Party so magnetic (contradictions and all) is the atmosphere. The closest analogy? A football stadium: a collective, visceral, shared experience where fans cheer, groan, and hold their breath together. Fashion becomes participatory again.
In this intimate interview, Anna Kuen reflects on ambition, autonomy, motherhood, and the discipline behind building immersive worlds across art, music, and fashion. A portrait of a contemporary artist choosing depth over spectacle and action over overthinking.
For our February Cover story, we explore beauty that doesn’t perform, filter, or fight for attention. This editorial reframes elegance as presence: soft, unguarded, and entirely undeniable.
