<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:media="http://search.yahoo.com/mrss/">

<channel>
	<title>Underground Archives - TITLE MAG</title>
	<atom:link href="https://title-mag.com/category/pop/underground/feed/" rel="self" type="application/rss+xml" />
	<link>https://title-mag.com/category/pop/underground/</link>
	<description></description>
	<lastBuildDate>Fri, 26 Apr 2024 15:14:19 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://title-mag.com/wp-content/uploads/2025/06/cropped-250530_TTL_Logo_Icon-32x32.png</url>
	<title>Underground Archives - TITLE MAG</title>
	<link>https://title-mag.com/category/pop/underground/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Avant-Garde in All its Glory: In Praise of Björk</title>
		<link>https://title-mag.com/avant-garde-in-all-its-glory-in-praise-of-bjork/</link>
		
		<dc:creator><![CDATA[Sinah Griessler]]></dc:creator>
		<pubDate>Fri, 26 Apr 2024 15:14:16 +0000</pubDate>
				<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[Alexander mcqueen]]></category>
		<category><![CDATA[avantgarde]]></category>
		<category><![CDATA[Björk]]></category>
		<category><![CDATA[Concert]]></category>
		<category><![CDATA[couture]]></category>
		<category><![CDATA[electronic music]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[Fashion Week]]></category>
		<category><![CDATA[Hussein Chalayan]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[jean paul gaultier]]></category>
		<category><![CDATA[magazine]]></category>
		<category><![CDATA[Maison Margiela]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nick knight]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[pop music]]></category>
		<category><![CDATA[Spike Jonze]]></category>
		<category><![CDATA[vogue]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=16186</guid>

					<description><![CDATA[<p>Björk is everywhere, at all times—and we don't get tired of it. Be it on a VOGUE cover, at Rick Owen's catwalk or in an exhibition—Björk's appearances are memorable. </p>
<p>The post <a href="https://title-mag.com/avant-garde-in-all-its-glory-in-praise-of-bjork/">Avant-Garde in All its Glory: In Praise of Björk</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2024/04/header-5-300x150.jpg" width="300" height="150" />	</item>
		<item>
		<title>Enter Joan Ling-Li&#8217;s Maximalist and Trashcore Set Design World</title>
		<link>https://title-mag.com/enter-joan-ling-lis-maximalist-and-trashcore-set-design-world/</link>
		
		<dc:creator><![CDATA[Alejandra Espinosa]]></dc:creator>
		<pubDate>Tue, 22 Aug 2023 15:29:00 +0000</pubDate>
				<category><![CDATA[Pop]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[Art director Islem Brahim]]></category>
		<category><![CDATA[Artist visa]]></category>
		<category><![CDATA[Artsy projects]]></category>
		<category><![CDATA[berlin]]></category>
		<category><![CDATA[BIPOC film society]]></category>
		<category><![CDATA[boiler room]]></category>
		<category><![CDATA[Child-like learning experiences]]></category>
		<category><![CDATA[collaborations]]></category>
		<category><![CDATA[collide24]]></category>
		<category><![CDATA[Creative exploration]]></category>
		<category><![CDATA[Creative journey]]></category>
		<category><![CDATA[Danny Elfman]]></category>
		<category><![CDATA[eden jetschmann]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[Joan Ling-Li]]></category>
		<category><![CDATA[Joan Ling-Li Nesbit-Chang]]></category>
		<category><![CDATA[Larissa Bechthold]]></category>
		<category><![CDATA[maggz]]></category>
		<category><![CDATA[Maximalism]]></category>
		<category><![CDATA[Monochromatic palettes]]></category>
		<category><![CDATA[Mother Loading]]></category>
		<category><![CDATA[Music Videos]]></category>
		<category><![CDATA[nas tea]]></category>
		<category><![CDATA[Personal projects]]></category>
		<category><![CDATA[Queer aesthetics]]></category>
		<category><![CDATA[Ryan Trecartin]]></category>
		<category><![CDATA[self-expression]]></category>
		<category><![CDATA[Set design]]></category>
		<category><![CDATA[set designer berlin]]></category>
		<category><![CDATA[set designer in berlin]]></category>
		<category><![CDATA[Shygirl at Floorgasm]]></category>
		<category><![CDATA[Soho House Berlin]]></category>
		<category><![CDATA[style]]></category>
		<category><![CDATA[Styling and set design]]></category>
		<category><![CDATA[Stylist Larissa Bechthold]]></category>
		<category><![CDATA[stylists in berlin]]></category>
		<category><![CDATA[Technical skills]]></category>
		<category><![CDATA[the bussy cat doll]]></category>
		<category><![CDATA[trash core]]></category>
		<category><![CDATA[Trashcore aesthetics]]></category>
		<category><![CDATA[Trauma Bar und Kino x Boiler Room]]></category>
		<category><![CDATA[troye sivan]]></category>
		<category><![CDATA[Upcoming projects]]></category>
		<category><![CDATA[Visual compositions]]></category>
		<category><![CDATA[Workshop learning]]></category>
		<category><![CDATA[Zalando Young Fashion Campaign 4]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=14979</guid>

					<description><![CDATA[<p>Meet Joan Ling-Li Nesbit-Chang, a set designer who's brought maximalist and trashcore aesthetics  to the Boiler Room, music videos and fashion campaigns.</p>
<p>The post <a href="https://title-mag.com/enter-joan-ling-lis-maximalist-and-trashcore-set-design-world/">Enter Joan Ling-Li&#8217;s Maximalist and Trashcore Set Design World</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2023/08/header-300x150.jpg" width="300" height="150" />	</item>
		<item>
		<title>Sex Work Is Work: in Conversation with Blade</title>
		<link>https://title-mag.com/sex-work-is-work-in-conversation-with-blade/</link>
		
		<dc:creator><![CDATA[Alejandra Espinosa]]></dc:creator>
		<pubDate>Sat, 17 Sep 2022 10:37:00 +0000</pubDate>
				<category><![CDATA[Communities]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[anti capitalism]]></category>
		<category><![CDATA[anti thesis of capitalism]]></category>
		<category><![CDATA[blade in berlin]]></category>
		<category><![CDATA[covid regulations]]></category>
		<category><![CDATA[cult of love]]></category>
		<category><![CDATA[decriminalize prostitution]]></category>
		<category><![CDATA[decriminalize sex work]]></category>
		<category><![CDATA[fau]]></category>
		<category><![CDATA[hetero monogamous culture]]></category>
		<category><![CDATA[hurenpass]]></category>
		<category><![CDATA[legal advice]]></category>
		<category><![CDATA[legal sex work]]></category>
		<category><![CDATA[Nordic model]]></category>
		<category><![CDATA[prostitution in germany]]></category>
		<category><![CDATA[prostitution is intersectional]]></category>
		<category><![CDATA[rigaer94]]></category>
		<category><![CDATA[right to privacy]]></category>
		<category><![CDATA[selling intimacy]]></category>
		<category><![CDATA[sex in a contract]]></category>
		<category><![CDATA[sex is therapy]]></category>
		<category><![CDATA[sex work fau]]></category>
		<category><![CDATA[sex work is arbeit]]></category>
		<category><![CDATA[sex work is feminism]]></category>
		<category><![CDATA[Sex Work is work]]></category>
		<category><![CDATA[sex work union]]></category>
		<category><![CDATA[sex worker]]></category>
		<category><![CDATA[sex worker action group berlin]]></category>
		<category><![CDATA[sex worker berlin]]></category>
		<category><![CDATA[sex workers]]></category>
		<category><![CDATA[sex workers demo]]></category>
		<category><![CDATA[sex workers in germany]]></category>
		<category><![CDATA[squat in berlin]]></category>
		<category><![CDATA[stigmatized people]]></category>
		<category><![CDATA[we are the product and means of production]]></category>
		<category><![CDATA[whore in germany]]></category>
		<category><![CDATA[whore passport]]></category>
		<category><![CDATA[whore power]]></category>
		<category><![CDATA[workers rights]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=10296</guid>

					<description><![CDATA[<p>Decriminalising sex work has quite some opposition for it “makes people feel that we are letting something in that they find morally or emotionally problematic. Because that is to say that it’s okay to sell intimacy,” says Blade.</p>
<p>The post <a href="https://title-mag.com/sex-work-is-work-in-conversation-with-blade/">Sex Work Is Work: in Conversation with Blade</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2022/09/Header-11-scaled.jpg" width="300" height="154" />	</item>
		<item>
		<title>Sarah Sitkin and Esmay Wagemans Invite You to Try Someone Else’s Flesh</title>
		<link>https://title-mag.com/sarah-sitkin-and-esmay-wagemans-invite-you-to-try-someone-elses-flesh/</link>
		
		<dc:creator><![CDATA[Alejandra Espinosa]]></dc:creator>
		<pubDate>Fri, 10 Jun 2022 10:12:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[art and technology]]></category>
		<category><![CDATA[bill dunleavy]]></category>
		<category><![CDATA[Billie Eilish cover]]></category>
		<category><![CDATA[Billie Eilish mask]]></category>
		<category><![CDATA[body and identity]]></category>
		<category><![CDATA[body and space]]></category>
		<category><![CDATA[body architecture]]></category>
		<category><![CDATA[body politics]]></category>
		<category><![CDATA[bodysuits]]></category>
		<category><![CDATA[bodysuits exhibition]]></category>
		<category><![CDATA[bodysuits sculptures]]></category>
		<category><![CDATA[Esmay wagemans]]></category>
		<category><![CDATA[fecal matter]]></category>
		<category><![CDATA[flesh art]]></category>
		<category><![CDATA[garage magazine cover]]></category>
		<category><![CDATA[glamcult magazine cover]]></category>
		<category><![CDATA[human sculpture]]></category>
		<category><![CDATA[hyperreal sculptures]]></category>
		<category><![CDATA[ison album]]></category>
		<category><![CDATA[Sarah sitkin]]></category>
		<category><![CDATA[sevdaliza]]></category>
		<category><![CDATA[silicone sculpture]]></category>
		<category><![CDATA[skin celebration]]></category>
		<category><![CDATA[skin mask]]></category>
		<category><![CDATA[super chief gallery]]></category>
		<category><![CDATA[Takashi Murakami and sitkin]]></category>
		<category><![CDATA[Takashi Murakami for billie eilish]]></category>
		<category><![CDATA[wearable flesh]]></category>
		<category><![CDATA[wearable skin]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=9379</guid>

					<description><![CDATA[<p>Esmay Wagemans and Sarah Sitkin are scrutinising processes of organic and inorganic body dysmorphia, literally and abstractly, with their replicas of human skin. Their sculptures are blurring the line of what is real and what it seems to be real.</p>
<p>The post <a href="https://title-mag.com/sarah-sitkin-and-esmay-wagemans-invite-you-to-try-someone-elses-flesh/">Sarah Sitkin and Esmay Wagemans Invite You to Try Someone Else’s Flesh</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2022/06/Header-3-scaled.jpg" width="300" height="154" />	</item>
		<item>
		<title>Uncensored the Censored: Sorayama’s Erotic Robots Define Female Beauty</title>
		<link>https://title-mag.com/uncensored-the-censored-sorayamas-erotic-robots-define-female-beauty/</link>
		
		<dc:creator><![CDATA[Alejandra Espinosa]]></dc:creator>
		<pubDate>Fri, 03 Jun 2022 11:45:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[aibo]]></category>
		<category><![CDATA[airbrush technique]]></category>
		<category><![CDATA[Alex garland]]></category>
		<category><![CDATA[blade]]></category>
		<category><![CDATA[blade runner]]></category>
		<category><![CDATA[dior and sorayama]]></category>
		<category><![CDATA[erotic bot]]></category>
		<category><![CDATA[ex machina]]></category>
		<category><![CDATA[female objectification]]></category>
		<category><![CDATA[female robot]]></category>
		<category><![CDATA[fembot]]></category>
		<category><![CDATA[future of technology]]></category>
		<category><![CDATA[Hajime sorayama]]></category>
		<category><![CDATA[her movie]]></category>
		<category><![CDATA[idealisation of women]]></category>
		<category><![CDATA[Japanese artist]]></category>
		<category><![CDATA[objectification of women]]></category>
		<category><![CDATA[Pop Culture]]></category>
		<category><![CDATA[realistic expression]]></category>
		<category><![CDATA[sci fi cult]]></category>
		<category><![CDATA[sci fi culture]]></category>
		<category><![CDATA[sex in digital age]]></category>
		<category><![CDATA[sexual robot]]></category>
		<category><![CDATA[sexy robots]]></category>
		<category><![CDATA[Sony and sorayama]]></category>
		<category><![CDATA[sony&#039;s aibo]]></category>
		<category><![CDATA[sorayama]]></category>
		<category><![CDATA[surrealist style]]></category>
		<category><![CDATA[Thierry Mugler and sorayama]]></category>
		<category><![CDATA[Thierry Mugler aw92]]></category>
		<category><![CDATA[y2k anxiety]]></category>
		<category><![CDATA[y2k eve]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=9327</guid>

					<description><![CDATA[<p>Hajime Sorayama turned sci-fi literature and films into drawings that depicted the future of the female human, defined by technology, intertwined with mainstream ideas of the perfect woman.</p>
<p>The post <a href="https://title-mag.com/uncensored-the-censored-sorayamas-erotic-robots-define-female-beauty/">Uncensored the Censored: Sorayama’s Erotic Robots Define Female Beauty</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2022/06/Header-scaled.jpg" width="300" height="154" />	</item>
		<item>
		<title>Exile and Post-Colonialism: Miryam Charles&#8217; &#8220;Cette Maison&#8221; as a Cinematic Exploration</title>
		<link>https://title-mag.com/how-to-mourn-our-own-death/</link>
		
		<dc:creator><![CDATA[Alejandra Espinosa]]></dc:creator>
		<pubDate>Sat, 02 Apr 2022 11:00:00 +0000</pubDate>
				<category><![CDATA[To Watch]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[16mm]]></category>
		<category><![CDATA[16mm camera]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[adult body]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[berlinale]]></category>
		<category><![CDATA[berlinale 2022]]></category>
		<category><![CDATA[causes]]></category>
		<category><![CDATA[cette maison]]></category>
		<category><![CDATA[cette maison film]]></category>
		<category><![CDATA[consequences]]></category>
		<category><![CDATA[dead teenager]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[debut feature film]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[exile]]></category>
		<category><![CDATA[fictional styles]]></category>
		<category><![CDATA[film festival]]></category>
		<category><![CDATA[fragmented meanings]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[future episodes]]></category>
		<category><![CDATA[grace]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[Haiti]]></category>
		<category><![CDATA[hope]]></category>
		<category><![CDATA[how to mourn our own death]]></category>
		<category><![CDATA[impossible instances]]></category>
		<category><![CDATA[jumbled revisitation]]></category>
		<category><![CDATA[Loss]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[mimesis]]></category>
		<category><![CDATA[Miryam Charles]]></category>
		<category><![CDATA[Mom]]></category>
		<category><![CDATA[Montreal]]></category>
		<category><![CDATA[mourning]]></category>
		<category><![CDATA[mourning space]]></category>
		<category><![CDATA[moving beyond]]></category>
		<category><![CDATA[multilinear tale]]></category>
		<category><![CDATA[past]]></category>
		<category><![CDATA[past events]]></category>
		<category><![CDATA[physical spaces]]></category>
		<category><![CDATA[post-colonialism]]></category>
		<category><![CDATA[Present]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[Resilience]]></category>
		<category><![CDATA[staged memories]]></category>
		<category><![CDATA[tragic]]></category>
		<category><![CDATA[tribute]]></category>
		<category><![CDATA[unspoken conversations]]></category>
		<category><![CDATA[woman]]></category>
		<category><![CDATA[world premiere]]></category>
		<category><![CDATA[Wound]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=8682</guid>

					<description><![CDATA[<p>Miryam Charles deals with the intricacies of loss, grief, hope and memory in her debut feature film 'Cette Maison', world premiered at Berlinale 2022.</p>
<p>The post <a href="https://title-mag.com/how-to-mourn-our-own-death/">Exile and Post-Colonialism: Miryam Charles&#8217; &#8220;Cette Maison&#8221; as a Cinematic Exploration</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2022/03/CETTTE_MAISON_THIS_HOUSE_imagefixe_still_C-copy.jpg" width="300" height="225" />	</item>
		<item>
		<title>Finding Authentic Multiplicity in the Film Series of &#8216;Jump Cut&#8217;</title>
		<link>https://title-mag.com/finding-authentic-multiplicity-in-jump-cut/</link>
		
		<dc:creator><![CDATA[Alejandra Espinosa]]></dc:creator>
		<pubDate>Wed, 23 Feb 2022 11:30:00 +0000</pubDate>
				<category><![CDATA[Pop]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[3d scanning]]></category>
		<category><![CDATA[abstract meanings]]></category>
		<category><![CDATA[alternate narratives]]></category>
		<category><![CDATA[alternate worlds]]></category>
		<category><![CDATA[Alternative Realities]]></category>
		<category><![CDATA[Animals of Distinction]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[authentic multiplicity]]></category>
		<category><![CDATA[bethanien berlin]]></category>
		<category><![CDATA[cognitive ability]]></category>
		<category><![CDATA[corporeal realities]]></category>
		<category><![CDATA[CTM Festival]]></category>
		<category><![CDATA[Dana Gingras]]></category>
		<category><![CDATA[digital representations]]></category>
		<category><![CDATA[digital spaces]]></category>
		<category><![CDATA[digital technologies]]></category>
		<category><![CDATA[dominant identities]]></category>
		<category><![CDATA[drag stars]]></category>
		<category><![CDATA[dystopia]]></category>
		<category><![CDATA[emotional charge]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[experimental art]]></category>
		<category><![CDATA[fantasies]]></category>
		<category><![CDATA[film series]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[hope]]></category>
		<category><![CDATA[identities]]></category>
		<category><![CDATA[illusions]]></category>
		<category><![CDATA[Jump Cut]]></category>
		<category><![CDATA[living sculptures]]></category>
		<category><![CDATA[lyrical dance]]></category>
		<category><![CDATA[Marie Davidson]]></category>
		<category><![CDATA[Memories]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[parallel realities]]></category>
		<category><![CDATA[past]]></category>
		<category><![CDATA[physical boundaries]]></category>
		<category><![CDATA[power structures]]></category>
		<category><![CDATA[powerful institutions]]></category>
		<category><![CDATA[Present]]></category>
		<category><![CDATA[projections]]></category>
		<category><![CDATA[self-exploration]]></category>
		<category><![CDATA[selfhood]]></category>
		<category><![CDATA[sensorial realities]]></category>
		<category><![CDATA[social hierarchy]]></category>
		<category><![CDATA[social structures]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[space consciousness]]></category>
		<category><![CDATA[subject-object relation]]></category>
		<category><![CDATA[Tension]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[time consciousness]]></category>
		<category><![CDATA[transformative layers]]></category>
		<category><![CDATA[virtual environments]]></category>
		<category><![CDATA[visual registrations]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=8240</guid>

					<description><![CDATA[<p>Jump Cut, a series of six episodes curated by Dana Gingras of Animals of Distinction, and recently exhibited at the CTM Festival in Berlin, addresses the relation between space and body, or as Gingras mentions, “bodies that inhabit spaces, and spaces that inhabit bodies.”</p>
<p>The post <a href="https://title-mag.com/finding-authentic-multiplicity-in-jump-cut/">Finding Authentic Multiplicity in the Film Series of &#8216;Jump Cut&#8217;</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2022/02/Header-2-1-scaled.jpg" width="300" height="154" />	</item>
		<item>
		<title>From LA&#8217;s Streets to International Fame: Rage against the Machine&#8217;s Journey</title>
		<link>https://title-mag.com/the-machine-rages-on/</link>
		
		<dc:creator><![CDATA[Caiza Andresen]]></dc:creator>
		<pubDate>Thu, 02 Dec 2021 13:18:13 +0000</pubDate>
				<category><![CDATA[Pop]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[2000s music]]></category>
		<category><![CDATA[90s music]]></category>
		<category><![CDATA[Alternative Rock]]></category>
		<category><![CDATA[Audioslave]]></category>
		<category><![CDATA[band]]></category>
		<category><![CDATA[band controversies]]></category>
		<category><![CDATA[band hiatus]]></category>
		<category><![CDATA[band history]]></category>
		<category><![CDATA[band legacy]]></category>
		<category><![CDATA[band members]]></category>
		<category><![CDATA[band reunions]]></category>
		<category><![CDATA[Battle of Los Angeles]]></category>
		<category><![CDATA[Billboard charts]]></category>
		<category><![CDATA[Brad Wilk]]></category>
		<category><![CDATA[California]]></category>
		<category><![CDATA[counterculture movement]]></category>
		<category><![CDATA[cultural commentary]]></category>
		<category><![CDATA[cultural impact]]></category>
		<category><![CDATA[Evil Empire]]></category>
		<category><![CDATA[fan base]]></category>
		<category><![CDATA[festival appearances]]></category>
		<category><![CDATA[fusion genres]]></category>
		<category><![CDATA[Grammy Awards]]></category>
		<category><![CDATA[Iconic lyrics]]></category>
		<category><![CDATA[iconic songs]]></category>
		<category><![CDATA[influential musicians]]></category>
		<category><![CDATA[left-wing politics]]></category>
		<category><![CDATA[live performances]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[Michael Moore]]></category>
		<category><![CDATA[music activism]]></category>
		<category><![CDATA[music censorship]]></category>
		<category><![CDATA[music collaborations]]></category>
		<category><![CDATA[music discography]]></category>
		<category><![CDATA[music history]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[music industry recognition]]></category>
		<category><![CDATA[Music Influences]]></category>
		<category><![CDATA[music legends]]></category>
		<category><![CDATA[music rebellion]]></category>
		<category><![CDATA[music revolution]]></category>
		<category><![CDATA[Music Videos]]></category>
		<category><![CDATA[political activism]]></category>
		<category><![CDATA[political stance]]></category>
		<category><![CDATA[protest music]]></category>
		<category><![CDATA[Rage Against The Machine]]></category>
		<category><![CDATA[rap metal]]></category>
		<category><![CDATA[rap rock]]></category>
		<category><![CDATA[rap-rock pioneers]]></category>
		<category><![CDATA[Renegades]]></category>
		<category><![CDATA[rock and roll]]></category>
		<category><![CDATA[rock anthems]]></category>
		<category><![CDATA[rock documentaries]]></category>
		<category><![CDATA[rock legends]]></category>
		<category><![CDATA[self-titled debut album]]></category>
		<category><![CDATA[social activism]]></category>
		<category><![CDATA[social justice]]></category>
		<category><![CDATA[solo projects]]></category>
		<category><![CDATA[Throwback Thursday]]></category>
		<category><![CDATA[Tim Commerford]]></category>
		<category><![CDATA[Tom Morello]]></category>
		<category><![CDATA[Zack de la Rocha]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=7590</guid>

					<description><![CDATA[<p>Since their 1992 self-titled debut Rage against the Machine has released a discography of four genre-binding and heavily political albums. For this #throwbackthursday we take a look at the legendary alternative rock band’s career and history. </p>
<p>The post <a href="https://title-mag.com/the-machine-rages-on/">From LA&#8217;s Streets to International Fame: Rage against the Machine&#8217;s Journey</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2021/12/HEADER-17-scaled.jpg" width="300" height="154" />	</item>
		<item>
		<title>Veri: A Fresh Voice in Cloud-Pop/Rap Blending Authenticity and Creativity</title>
		<link>https://title-mag.com/title-introduces-vienna-based-cloud-pop-artist-verifiziert/</link>
		
		<dc:creator><![CDATA[Laura Gruebler]]></dc:creator>
		<pubDate>Fri, 20 Aug 2021 12:30:00 +0000</pubDate>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[" "Asphalt]]></category>
		<category><![CDATA[" authenticity]]></category>
		<category><![CDATA["Sonntag: 17 Uhr]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Asphalt]]></category>
		<category><![CDATA[Avril Lavigne]]></category>
		<category><![CDATA[Charlie XCX]]></category>
		<category><![CDATA[christmas present]]></category>
		<category><![CDATA[Cloud-Pop]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[Deb Never]]></category>
		<category><![CDATA[debut EP]]></category>
		<category><![CDATA[excited]]></category>
		<category><![CDATA[Frank Ocean]]></category>
		<category><![CDATA[future projects]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[keyboard]]></category>
		<category><![CDATA[Killerpilze]]></category>
		<category><![CDATA[music career]]></category>
		<category><![CDATA[nervous]]></category>
		<category><![CDATA[Nirvana]]></category>
		<category><![CDATA[passion for music]]></category>
		<category><![CDATA[Prodigy]]></category>
		<category><![CDATA[producing songs]]></category>
		<category><![CDATA[proud]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[Sonntag: 17 Uhr]]></category>
		<category><![CDATA[THE BLOSSOM]]></category>
		<category><![CDATA[TITLE Interview]]></category>
		<category><![CDATA[Tokio Hotel]]></category>
		<category><![CDATA[underground singles]]></category>
		<category><![CDATA[Veri]]></category>
		<category><![CDATA[verification]]></category>
		<category><![CDATA[Verifiziert]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[writing songs]]></category>
		<guid isPermaLink="false">https://title-mag.com/?p=6045</guid>

					<description><![CDATA[<p>TITLE would like to introduce you to Vienna based Cloud-Pop artist Verifiziert. In our interview you'll learn how Veri got into music, which artist she admires, and that authenticity is most important to her.</p>
<p>The post <a href="https://title-mag.com/title-introduces-vienna-based-cloud-pop-artist-verifiziert/">Veri: A Fresh Voice in Cloud-Pop/Rap Blending Authenticity and Creativity</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2021/08/Header-7-scaled.jpg" width="300" height="154" />	</item>
		<item>
		<title>Dexter Francis Mason: Sensitive Lyrics, Smooth Sound, and Dreamy Visuals</title>
		<link>https://title-mag.com/redefining-love-songs-an-honest-interview-with-dexter-francis-mason/</link>
		
		<dc:creator><![CDATA[Julius Rueckert]]></dc:creator>
		<pubDate>Fri, 19 Mar 2021 23:00:00 +0000</pubDate>
				<category><![CDATA[Pop]]></category>
		<category><![CDATA[Underground]]></category>
		<category><![CDATA[album title]]></category>
		<category><![CDATA[being in love]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[crisis]]></category>
		<category><![CDATA[Dexter Francis Mason]]></category>
		<category><![CDATA[fake apology]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[love song]]></category>
		<category><![CDATA[lyrics]]></category>
		<category><![CDATA[musical background]]></category>
		<category><![CDATA[musician]]></category>
		<category><![CDATA[negative reactions]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[pandemic]]></category>
		<category><![CDATA[pop music]]></category>
		<category><![CDATA[relatability]]></category>
		<category><![CDATA[relatable]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[sentimental love songs]]></category>
		<category><![CDATA[Singer]]></category>
		<category><![CDATA[Soundtrack]]></category>
		<category><![CDATA[special moments]]></category>
		<category><![CDATA[Titanic]]></category>
		<category><![CDATA[Tony Bennett]]></category>
		<category><![CDATA[upcoming album]]></category>
		<guid isPermaLink="false">http://127.0.0.1/titlemag/redefining-love-songs-an-honest-interview-with-dexter-francis-mason/</guid>

					<description><![CDATA[<p> Read our exclusive interview with singer and musician Dexter Francis Mason as he discusses his ambivalent relationship with pop music, the relatability of his lyrics, and the creative process behind his upcoming album, "I'm Sorry You Feel That Way." Discover the story behind the album title and memorable moments during the album's creation.</p>
<p>The post <a href="https://title-mag.com/redefining-love-songs-an-honest-interview-with-dexter-francis-mason/">Dexter Francis Mason: Sensitive Lyrics, Smooth Sound, and Dreamy Visuals</a> appeared first on <a href="https://title-mag.com">TITLE MAG</a>.</p>
]]></description>
		
		
		
		<media:content medium="image" url="https://title-mag.com/wp-content/uploads/2021/06/redefining-love-songs-an-honest-interview-with-dexter-francis-mason.jpg" width="300" height="154" />	</item>
	</channel>
</rss>
