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Header image accompanying an article about Anok Yai, featuring a fashion model reclining on a patterned sofa in a minimalist ivory dress, evoking strength and modern elegance.

Why Anok Yai’s Model of the Year Win Is Bigger Than Fashion

Anok Yai’s long-overdue Model of the Year win at the Royal Albert Hall crowned a journey defined by resilience — from her family’s flight from Sudan to her groundbreaking rise in fashion.

Janice Heinrich @
Model holding a rolled TITLE magazine secured with a red quilted Cult Form accessory, styled with a purple quilted mini skirt, pink belt, and red tights.

TITLE’s Destiny Recrafted: How Cult Form Quilts Heritage Into High Fashion

In a collaboration with Cult Form, Destiny comes alive through a collaboration that turns Turkish quilting traditions into bold editorial statements. This issue transforms heritage into high-fashion identity.

Jasmin Kraenzel @
A glamorous nighttime scene from the movie Funny Face, showing a woman posing in a vintage floral dress before a dramatic illuminated fountain while a film crew surrounds her.

Why Luxury Brands Are Suddenly Shooting Mini-Movies Instead of Ads

Luxury brands aren’t satisfied with quick-hit ads anymore. They’re going full auteur, dropping mini-movies that feel straight out of a film festival lineup. It’s not just marketing; it’s a flex of storytelling, tech, and cultural capital in an era where everyone’s a creator.

Roberta Fabbrocino @
Black-and-white photo of two women sharing an intimate outdoor meal at a small café table, representing a reflective moment about evolving adult friendships; image is a scene from the film Frances Ha.

When Catch-Ups Replace Hangouts: The Friendship Shift in Your 20s

Friendships in your 20s quietly transform, trading spontaneous hangouts for Google-calendar catch-ups and a whole lot of emotional whiplash. Here’s why it happens and how to keep your longterm connections from slipping.

Avelina Tiziana @
Gothic ballroom scene from Crimson Peak featuring Lucille Sharpe performing at the piano in her iconic red gown, showcasing the film’s Victorian costume design.

Why Kate Hawley Might Be the Most Underrated Costume Designer in Hollywood

Costume design is vital in translating a filmmaker's vision onto the screen. Kate Hawley’s works, with their intricate designs, tell stories of their own, serving as powerful tools for character development and thematic depth.

Roberta Fabbrocino @