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In the month of International Women’s Day, we celebrate the voices that speak for intersectional feminism and sacred rebellion. Céline Semaan’s “A Woman is a School”, published by The Slow Factory, calls us to reclaim our bodies, our stories, and our collective wisdom. A reminder of the power of language to emancipate us in times of struggle.

Mind, Body, Language: How the Book “A Woman is a School” Rewrites Rebellion

Language is power. In the month of International Women’s Day, we celebrate the voices that speak for intersectional feminism and sacred rebellion. Céline Semaan’s “A Woman is a School”, published by The Slow Factory, reclaims language and the body as sacred vessels for eco-liberation and justice. Her words call us to action: it's time to stand together in solidarity for justice and collective healing. A reminder of the power of language to emancipate us in times of struggle. None of us is free, until all of us are free.

Luïza Luz @
Off the Grid, On the Rise: Spring's Unscripted Awakening

Off the Grid, On the Rise: Spring’s Unscripted Awakening

Awakening after a long winter break is more than just a return to routine—it’s a quiet evolution. In this editorial we capture the moment where stillness meets movement, where elegance lingers in the in-between. Draped in last night’s look, softened yet composed, she embodies effortless sophistication. This is not about excess but about presence—a reflection of strength, resilience, and the quiet power of beginning anew.

Team TITLE @
Tasneem Elnayal, artist on the rise, sitting in between her deeply symbolic, yet hopeful and elating art.

Sudanese Symbolism: Artist Tasneem Elnayal on Collective Grief and Change

Tasneem Elnayal’s artistic practice is rooted in our shared histories and the visceral nature of personal experience. In this conversation, the London-based Sudanese artist and art director explores the influence of Sudan's political landscape, her journey through grief and hope, and the power of memory in creating space for new experiences.

Amany Hassan @
A black-and-white image of a concrete wall featuring street art in the style of Keith Haring, with people sitting and skateboarding in front of it.

Is Art Exclusively for the Rich?

Art is often seen as a universal language—but is it really accessible to everyone? Still perceived as a playground for the wealthy, the art world continues to exclude marginalized communities. From street art to institutional shifts, how can we reclaim space and open the conversation?

Hilal Külec @
Calvin Candie, holding a cigarette holder, confronts Django in an intense standoff inside an opulent room.

How Cultural Appropriation is Irrelevant to Quentin Tarantino

Quentin Tarantino has long been praised for his bold storytelling, but his approach to Black narratives raises important questions about cultural appropriation and blaxploitation in white cinema. While his films often feature diverse casts, the depth of his Black characters remains limited, catering to a broad audience rather than authentically representing Black experiences. His frequent use of racial slurs and reliance on shock value spark controversy, yet his dismissive response to criticism is even more troubling. This article explores how Tarantino profits from marginalized cultures while avoiding accountability, urging audiences to critically engage with the media they consume.

Jasmin Kraenzel @