How Is Curation Evolving in Art, Design and Photography?
A growing interest in how is curation turning physical spaces into spaces for tactile engagement counteracts the rise of curation across digital platforms.
A growing interest in how is curation turning physical spaces into spaces for tactile engagement counteracts the rise of curation across digital platforms.
“Fakes are among us, and the future ahead will be weird as fuck”. Welcome to the post-post-post-truth AI world.
"I’ve always been obsessed with technology, cybersex, impossible fantasies (on this non-digital level), repressions and the idea of finding yourself through a virtual agent or your own avatar. And I wanted to bring all this digital baggage to a moment, ..."
In an era flooded with fleeting digital experiences, film director Ben Miethke unveils his latest project: a 12-short video collection of bite-sized films that visualises ephemeral— almost intangible—thoughts. Here we chat with Miethke.
It is this uncanny feeling, of trying to map the unseen, what’s at the centre of Hiromi Kawakami’s writing: stories that warp and give way to gods and shape-shifting creatures; scenarios that quickly melt and leave us facing new dimensions, where the unfamiliar becomes a poetic expression of the more abstract aspects of the mundane.
TITLE had the opportunity to sit with curator, writer and creative director Jason Jules and discussed how the exhibition at Somerset recognises and celebrates the contributions of Black designers.
Looking at the current polarised landscape, where human atrocities are shamelessly being led almost with proud by our unsupported but democratically elected leaders, questions such as: what’s our role as viewers? And, can we trust those in power? Are pouring over us.
If fashion houses have realised that their archives are the epitome of their long-lasting legacies, fashion photographers have certainly been the ones who have paved the way for their legacies to endure the passage of time. And even more, the ones defining our relation to fashion.
Looking at Mark’s photography, we are certain of two things. The first one, that the streets used to inform the aesthetics of magazines, and the second, that Mary Ellen Mark was born in the heyday of the women’s rights movements in the U.S. and so her subjects are mostly women.
Alexandra Daisy Ginsberg’s body of work explores the ways emerging technologies – those that are lifelike or engineering life in some ways – can redefine life and our relationship with the natural world. In this occasion, we talk about gaining agency instead of using technologies to manipulate the natural world.